Sunday, May 8, 2016

Youth in Asia: A Vietnam War Novel

NOW AVAILABLE FROM AMAZON

Youth In Asia: A Vietnam War Novel
Rated 4.6/5 based on 40 reviews
Vietnam war novel, vietnam war history
This the 50th anniversary of the start of America’s involvement in Vietnam. But that is not really true. If you know your history, America was deeply involved in Vietnam long before 1965. In fact, we were once closely allied with what became the leadership of North Vietnam as we worked together during WWII to defeat the Japanese. After the Japanese were defeated, France tried to reclaim their Asian territory, and things spiraled out of control from there, eventually leading to a “” that include the French, and then us, as well as contingents from many other nations. As they say, it was “complicated”. Perhaps it was also unnecessary. But that was all politics. On the ground, there were soldiers and marines…
I grew up reading the brilliant, gut-wrenching novels and accounts of young American soldiers in the Vietnam War. Books such as Chickenhawk by Robert Mason, The 13th Valley by John M. Del Vecchio, Pleiku by JD Coleman, The Green Berets at War by Shelby Stanton, If I Die in a Combat Zone, Box Me Up and Ship Me Home by Tim O’Brien, and of course We Were Soldiers Once and Young, by Moore and Galloway. And from an Australian soldier’s perspective of the war and Americans at war in Vietnam, I was fascinated by Lex McAuley’s When the Buffalo Fight. There were many more, but these are seven that stood out. 
So “Youth In Asia” humbly follows in these footsteps, further informed by my own twenty-three years as an infantryman and an officer. I have published a number of articles in professional military journals, and I have a Masters Degree in Creative Writing. Together, these experiences and training have enabled me to depict infantrymen in the jungles of Vietnam, in the Central Highlands.
The story is concurrent with the start of the Marines’ battle at Khe Sanh, and is set shortly after the horrific fight for Hill 875 but just days before the start of the 1968 Tet Offensive that broke the back of America’s determination to continue the war. Tet was another major event in one of the most pivotal years in America’s history. The politics and riots were all a million miles away, though, for five young soldiers, lost and alone in the jungles of Vietnam. They just wanted to live through another day.  
“Youth In Asia” is on sale at Amazon. I will donate half of all proceeds to The Wounded Warrior Project and other organizations dedicated to helping fund programs and services to meet the needs of injured service members.

An excerpt:


In November 1967, the 173rd Airborne Brigade took Hill 875, near Dak To, in what we called the Central Highlands of South Vietnam. The 173rd drove a North Vietnamese Army division back into Cambodia. This foreshadowed the slaughter that came in January: the Tet Offensive of 1968.
What happened on and around Hill 875 was a victory, we said. But the Airborne Brigade had lost almost two hundred men. Another 642 were wounded during the battles for Hill 875 and the area around Dak To. Though the NVA’s bigger formations fled across the border, the 173rd had to keep up the pressure so the enemy couldn’t regroup and return. To do so, the bloodied brigade was loading up with replacements.
I arrived in Vietnam in mid-November. I came from the Second Infantry Division in Korea, where I’d been patrolling the demilitarized zone. I’d hoped the Army would send me back to the States after my year in Korea, but with things really heating up in Vietnam, I got orders to go there instead. At the time, I figured a year in Vietnam wouldn’t be too bad. I had a year and a half left on my enlistment, and I wanted to go to college when I got out. At the time, I dreamed of being a teacher. I thought I had something to offer others.
I thought the occasional short firefights with the North Koreans, when I patrolled the DMZ, had prepared me for Vietnam. I quickly realized that what I had seen in the DMZ was nothing like the firefights I would soon see in the Central Highlands. But at the time I was confident in my ability as a soldier. Vietnam hadn’t started to get weird, so it didn’t intimidate me. I wasn’t happy about more time overseas, but I figured I could deal with it just as well as sweating out another year in Fort Polk or Hood or some other hole. I was twenty and not in much of a hurry.
When I completed my infantry training at Fort Benning, I’d then gone to airborne school because I had orders to go to the 82nd. The Army, though, changed its mind and rerouted me to Korea. Because I was jump qualified, I got orders to the 173rd when I got to Vietnam—not that there were many airborne operations there. But who knows how the Army thinks.
* * *
There was a pause. Then, “What? You mean like war?”
“Yeah! Exactly! Lots of famous writers were soldiers or sailors, see? Like Conrad and Hemingway and Mailer … and they learned—”
“Oh, man. Don’t tell me this is your idea of some kind of fucking field trip. You think this war is for you to get ideas or characters or whatever? God damn it.”
I heard Harrington kicking the dirt wall of his position before going on. “You stupid fuck. Man … I’ve been here for nine fucking months, okay? I got ninety-two and a wake-up, then I’m out of this slaughterhouse. And I can tell you, the shit here is going to get worse. I can just feel it. We’re right here up against Cambodia and Laos with fucking NVA running back and forth over the border and Viet Cong all over the fucking place. You want war? You should’ve been at Dak To and 875. You don’t know shit, cherry. You think this is some kind of bullshit game?”
Elvis said nothing. I started to feel sorry for him, but I was glad Harrington said what he did. Though I sympathized with Elvis, I didn’t think he understood the finality of Vietnam, of war, of losing your arms or legs or breaking your back falling out of a helicopter. What death really meant. I wanted to hear more, but I couldn’t wait any longer. It was almost 1830.
“Harrington?” I said.
“Yeah?”
I saw his white face in the shadows and gloom of the position, and I smelled the insect repellent he wore. I told him about the patrol and stand-to and waited while he pulled the clacker off the line.
“Romeo here thinks he’s in Vietnam to do a class study,” he said.
“I heard.”
“All?”
“Enough.” Louder, I called, “Elvis?”
He turned so I could see his face. “Yes, corporal?”
“You got one job over here: Pay attention and do what you’re told to do. Otherwise, you won’t live long enough to write shit. Is that clear?”
“Yes, corporal.”
I stared at him for a few seconds, hoping he’d take to heart what I’d told him.
“They firin’ H and I tonight?” Harrington asked.
“Probably. Don’t know what time.”
“What’s H and I?” Elvis asked after a moment.
I turned to look at the skyward-pointing barrels of the six 105mm artillery guns clustered in the center of the firebase. Their dark barrels stuck up above the green sandbag berms we’d built around each gun.
Harrington answered our new man, his voice caustic. “Harassment and Interdiction. Our artillery fires on known and suspected enemy locations. We try to kill them. They try to kill us. It’s what we do here. This ain’t no fucking play.”
 * * *
Shortly after 2330 we stopped again. Wicker came back to talk. I didn’t hear him until he was almost on me. One of Wicker’s best attributes—one of many—was that he worked hard to keep us all informed about what was going on.
“This is gonna be a long halt,” he whispered close to my face.
“What’s up?”
“New orders. We’re going a new way. Lieutenant is working up a course.”
“Enemy?”
“Yeah. Charlie Company came across a cache of ammo and rice. Fresh. We’re supposed to change directions so we can sweep the area at sunup.”
When he had nothing else to say I asked, “What the fuck happened to the Scouts? They’re supposed to be smarter than that.”
“Don’t know. You heard what I heard. Everybody’s luck runs out, so stay alert.”
We were a million miles from home playing a deadly game of cat-and-mouse in a black jungle, and it was getting harder to even remember why we were there. When we roared in on our helicopters in daylight, with fast movers ripping over us, protecting us, I felt like the hunter. Now I felt like the hunted. Stay alert.

My Vietnam War novel made it to #1 on an Amazon bestseller list!

#1 — It’s not every day that your book is a #1 bestseller

#1 bestseller list Amazon UK, UK best seller list
Just a short note to say that I’m celebrating! My book has made it to #1 in its category in the UK. Sweet! If you want to see how it’s doing on the UK site at the moment, click here.
No, I’m not selling thousands of books a day. And, no, this is not a huge category. But it is still pretty exciting.
In the US, my book has made it to #6 and #9 in two different categories. And it has made it to #2 in Canada and #9 in Brazil. I’ve also made it to #11 on a list in Australia, and it has cracked the top 100 of several more lists. All that is exciting, but a #1 spot is special and not something I’ll ever forget.
Thank you to everyone who bought a copy. ðŸ™‚
Summary
Article Name
#1 -- It's not every day that your book is a #1 bestseller
Description
My book is #1 on one of Amazon's UK bestseller lists. And that feels damn good.
Author
Publisher Name
Tiffany Writing
Publisher Logo

Keeping my promise: Donating another $500 to help our Veterans

Veterans of Foreign Wars, VFW, Vietnam Veterans
Sales of my novella of been good. The story is about young men in combat during the Vietnam War, and how they live with themselves and each other years later. As I promised, I am donating half of what I collect from sales to organizations that help our veterans.
With a match from my employer, today I’ve been able to donate another $500. Last time I donated $150 to the Wounded Warrior Project. This time, I have donated to the Veterans of Foreign Wars Foundation.
I have now donated a total of $650.
Without the match, that is $400 from my book sales. And if I say so myself, that is pretty damn good for a first book priced at $1.49, of which I only get ~$.52 a copy.
For a detailed explanation as to why I’m doing this, read what you can see at the “Look Inside” feature of the book on Amazon.
Amazon Look Inside Vietnam War Novel

The reviews have been strong (4.6 “stars” after 37 reviews), and it has made it into the top 10 of four of Amazon’s bestseller lists worldwide (two of which are pretty obscure, I have to admit), and the top 100 of about ten bestseller lists.
Separately, my book has also been #1 out of more than 5,000 titles when you search on “Kindle Store: Vietnam War” for many weeks. It is still in the top 20 on that list a year after I published it.
When you search on “Books: Vietnam War” at Amazon, over 81,000 titles come up. My little book is hanging on in the top 10 of this list as well. ðŸ™‚
More importantly: $650. That helps. But let’s not stop here.
You can help me raise more money for veterans organizations by buying and reviewing a copy of Youth In Asia. The review part is especially important. If you buy a copy I’ll continue to pass on about $.26 to an org that helps veterans. But a review of the book can help drive more sales because it will inspire other people to buy a copy and raise even more money.
You can also give a copy as a gift to someone who would enjoy it. When you go to the Amazon sales page, on the right-hand side you’ll see the option to do so as highlighted below. It is easy to do.
Youth In Asia Gift, Vietnam War Novel, Vietnam War Story

This has been a heck of a year in many ways for me and my family, many of which have nothing to do with writing. However, writing and publishing my first novel has been a life-long dream, and extremely scary.
I was terrified that it was not going to be well received. I feared that the story would be ridiculed or the writing would be criticized. Neither happened. In fact, the opposite has been true. I owe my wife and editor and my anonymous reviewers at WWW.CritiqueCircle.COM a huge thank you for all the help getting the story to where it is.
And thank you to everyone who has purchased a copy and reviewed it. The fact that this little story is generating money for veterans in need is also exciting and rewarding because it is important that we give back, and we did that together.
Separately, next week I’ll post a blog about what I learned from a publishing perspective. It has been an amazing education, and I’ve done more than a few things wrong…
Summary
Article Name
Keeping my promise: Another $500 from book sales to help our Veterans
Description
Today I've been able to donate another $500 from sales of my book to the Veterans of Foreign Wars Foundation to help our veterans in need. I've previously donated to the Wounded Warrior Project.
Author
Publisher Name
Tiffany Writing
Publisher Logo

How to use Free Indirect Discourse to strengthen your Fiction

Free Indirect Discourse (also called Free Indirect Speech) seems a clunky mouthful, but it is also a powerful tool to make your writing more intimate when used in proper measure.  Wikipedia says: “What distinguishes Free Indirect [Discourse; FID for short] from normal indirect speech is the lack of an introductory expression such as ‘He said’ or ‘he thought’. It is as if the subordinate clause carrying the content of the indirect speech is taken out of the main clause which contains it, becoming the main clause itself. Using [FID] may convey the character’s words [and thoughts] more directly than in normal indirect.”
Examples provided by Wikipedia include:
  • Quoted or direct speech:
He laid down his bundle and thought of his misfortune. “And just what pleasure have I found since I came into this world?” he asked.
  • Reported or normal indirect speech:
He laid down his bundle and thought of his misfortune. He asked himself what pleasure he had found since he came into the world.
  • Free indirect speech:
He laid down his bundle and thought of his misfortune. And just what pleasure had he found since he came into this world?

The dangers of Free Indirect Discourse

There are dangers with FID. For one thing, it can become confusing if it is not clear whose thoughts you are reading. I also think it can become tedious. I rather like having a narrator provide guidance as to what is going on, who is speaking, etc.
All said, as I have been editing my next novel (read an excerpt of Lonely Hunter), I’ve been changing a few passages from indirect speech or narrative exposition, to Free Indirect Discourse. I’ve been conservative to date because it does not feel just right to me yet.
For most of the novel, I’ve kept my narrator at a substantial narrative distance from my Point Of View characters. My intent was to be objective and nonjudgmental in my 3rd person telling. So the few instances I do use FID, it is a dramatic deep dive into the character’s emotions and into her head.
Additionally, I’m only using Free Indirect Speech with my two main characters. It feels like that reinforces that they are the reader’s primary concern.

Arguably we can blame Jane Austen

Free Indirect Speech and Narrative Distance
The consensus is that Jane Austen first popularized the use of FID, but there is evidence that she was not the first. Whoever started, it is a compelling technique. Below is one example of where I have used it in my
Below is one example of where I have used it in my upcoming science fiction novel. Here the main character – Kira – has just been reeled in by her mentor after a private, week-long killing spree targeting the aliens that hunt them. She is starving (as they all are) and disoriented. He has led her to his hut after she embarrassed herself in front of her followers. A few minutes earlier she had insisted that they had no hope of being rescued by their space-faring ancestors, that they were all going to die…
Barber led her to his hut. She clumsily dismounted, leaving her crossbow hanging from the saddle and walked into the dark room, sinking onto a stool at his small table. Kira put her elbows on it and her head into her hands, staring at the stained wood between her fingers. She listened as Barber first worked outside to tie off their horses, then he bumped around the room. After a few minutes, he dropped a plate in front of her with meat, berries and a piece of bread. He also put a mug down beside it.
“Eat.”
Kira slowly lifted her head. A single ray of sunlight angled across her face. The rest of the hut was dark, but she could see the shadow of Barber’s big body awkwardly drop to his cot before he leaned against the wall. She turned her face to the window and the clear sky beyond, at the blue underside of space. She lowered her eyes from the square of cold blue to the plate. Her brow furrowed. There was so much food. She did not understand.
“Eat.”
It was confusing. He had given her a lot of food compared to how little they all ate now. Her mouth was too dry to eat, so she took a drink. Sweet…his honey wine. After several big gulps, she hunched over her plate and picked up the food between her shaking fingertips, piece by piece she lifted it to her mouth. She chewed without looking at him, her ratty hair hanging along the sides of her face. 
Halfway through the meal, Barber said, “You still have hope.”
Kira involuntarily sucked in a big breath as the food slipped through her fingers. With her elbow still on the table, she clinched her disfigured hand into a shaking fist and pushed her forehead against it as the tears ran down her cheeks. She squeezed her eyes shut and clamped her jaw tight. It took all her self-control not to disintegrate. Every breath came in jerky gasps. She was fragile, about to shatter. But he waited for her.

If you missed it, the FID was the four-word sentence with the ellipse in the middle. And if I wrote well, perhaps you did miss it. That would be the point: With FID, you get so sucked into the character’s head that you are them and forget that you are reading. The theory is that dropping all the “He thought,” “She wondered,” etc., brings you deeper into the MC’s head, deeper into the MC’s emotions.
It is hard for me to gauge how well it works. So much of writing is art…putting your work out there and hoping for the best. In this instance, though, it felt like the right place to drop straight into her head, to make more immediate the immense confusion she was feeling and how the taste of the wine could help bring her back.
…let me know what you think.